Nilima Sheikh, the first artist who got the curator's nod for the fourth edition of Kochi-Muziris Biennale which begins on December 12, 2018 |
ANNI DESK
KOLKATA I IND
Versatile and provocative
painter Nilima Sheikh, whose illustrious body of works is a
scorching portrayal of the turmoil in Kashmir valley and a mystical depiction
of women-centric issues, has become the first artist to get the curator’s nod
for the fourth edition of Kochi-Muziris Biennale (KMB), which begins exactly a
year later -- December 12, 2018.
The artist also includes song and poetry as a performative mode of public
address, echoing the 14th century female mystic Lal Dĕd of
Kashmir (translated by Ranjit Hoskote), along with references to texts from
several writers who have written about Kashmir such as Aga Shahid Ali and
Salman Rushdie.
Anita
Dube, the curator of the upcoming KMB that is hosted by the Kochi Biennale
Foundation (KBF), announced Sheikh’s name today, formally setting in motion the
process of selection of her artists for the high-profile contemporary art event
that has redefined the cultural landscape in Kerala and India.
During
her over five-decade career, the 72-year-old Vadodara-based painter has
produced an incredibly magnificent oeuvre, wielding her brush to make an
intense depiction of subjects, with particular emphasis on Kashmir, Partition
and displacement. Her strength also lies in the portrayal of grimness of
contemporary life like oppressive patriarchy and the silent suffering of women
that crack social fabric and she does it through use of traditional idioms and
motifs.
A
historian by training before she focused her attention on the canvas, Sheikh
delved into the history of Kashmir, and believes that the valley’s turmoil “is
owing to our lack of understanding (of the place and people there) as
Indians…The artist’s role is to bear witness - to both the past and present.”
“The
tender compassion in the paintings of Nilima Sheikh, in their quiet grandeur,
aligns the feminine with the mystic and subversive strains in our tradition.
She is a voice we must listen to, especially in these violent troubled times,”
said Anita Dube.
Hailing
the selection of Sheikh, KBF President Bose Krishnamanchari said, “The Kochi
Biennale Foundation is thrilled that we are able to make this announcement on
12/12/17, exactly a year to the day the next edition of the Kochi-Muziris
Biennale will start. Curator Anita Dube's intentions and ideas for KMB 2018 are
reflected in Nilima Sheikh, the first artist she's presenting of the lineup. I
can see in her choice reflections of the socially and politically sensitive
aesthetics that Anita would bring to KMB-2018.”
Heavily inspired by the literary works of Rabindranath
Tagore, Sheikh became interested at an early age in the connection between
stories and images, between murals and ancient manuscripts. Beyond
appropriating traditional techniques in her paintings, she works with figure
and narration in her practice, which has famously translated into theatre sets
such as Umrao as well as children’s books.
Her
works are rooted in Eastern painting traditions such as miniature painting and
oral traditions of vernacular folk songs. For her paintings, she drew
inspiration from artists like Abanindranath Tagore, Nandalal Bose and K G
Subramanyan. Through her own life experiences, Sheikh continues to create
bodies of work that evoke mystical imaginary landscapes that address feminine
experiences.
Her
most recent work, titled Terrain: Carrying Across, Leaving Behind, was
produced for Documenta 14, a leading global exhibition held in Kassel (Germany)
every five years.
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