Saturday, November 21, 2015

A MULTI-CITY ARTS PROJECT FROM WELLCOME COLLECTION, UK

ANW I DELHI I NOV 21, 2015 I 1st Published 1130 PM
January 2016 will see an exciting programme of cultural activity across three cities - Mumbai, Kolkata and Delhi – as a part of Medicine Corner. The programme is an initiative of one of the UK’s most innovative cultural venues, Wellcome Collection - part of the Wellcome Trust, a global health charity. Medicine Corner explores India’s rich plurality of cultures of medicine, healing and well-being through exhibitions, live public events and educational outreach.

      Mumbai: ‘Tabiyat: Medicine and Healing in India’ An Exhibition at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai | 12 January – 28 March 2016
      Kolkata: Jeevanchakra at Akar Prakar Gallery, Kolkata | 18 January - 15 February 2016
      New Delhi: Workshop and live performance by BLOT! at the British Council | 22 January 

The centrepiece of Medicine Corner is Tabiyat: Medicine and Healing in India, at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai. Through a stunning array of antiquities and contemporary material culture, the exhibition explores the history and modern practice in India of sustaining human health. Exhibits include: sculptures, clothing, textiles, decorative wrestling clubs, manuscripts, intimate personal items such as combs and foot scrubbers, medical instruments, domestic utensils, oil paintings, drawings, prints, photographs, plaques and board games (including a snakes and ladders board from the late 18th century - the game has Indian roots).

Tabiyat takes visitors to four generic locations: The Shrine – to encounter the role of spiritual belief in healing; The Home – examining lifecycle and the family as the key transmitter of values and practical knowledge for living well and living long; The Street – charting public health, the hidden histories of health commerce and cultural practices such as chewing paan; and The Clinic – treating India as a key site in world history for enquiry into the nature of body and mind and for different analytical models of understanding, representing and treating the body.

The exhibition takes a multi-faceted approach to its subject, drawing on multiple historical, artistic and ethnographic resources. It includes magnificent Indian works from the UK, never before exhibited in their land of origin, combining them in novel juxtapositions with material from CSMVS and private collections in India. Contemporary vernacular art has also been specially commissioned and acquired for this richly varied show: an aesthetically seductive, intellectually rich mix of art, science, history and the ordinary made extraordinary. Star exhibits in Tabiyat include the Ayurvedic Man, the only known historical illustration of the interior of the human body as understood in Ayurveda.

In curatorial dialogue with Tabiyat is an exhibition at Akar Prakar Gallery in Kolkata: Jeevanchakra, which explores, poetically, the life cycle of the human body and its contact with medical practice. It consists of photographs, video, paintings and multi-media installations by leading contemporary Indian artists. Birth, ageing, disease and death are universal phenomena. Jeevanchakra shows that they also have culturally specific aspects. The historic, economic, social and political conditions of particular places shape conceptions of the body and inform rites around it. For example, childbirth is deeply affected by differing access to medicine and by the particular practices of rural and urban India.

A set of exquisite silver gelatin prints by photographer Gauri Gill shows the key, intimate moments as a child is born on the sandy floor of a desert home in remote rural Rajasthan. The child is born at the hands of a dai, a traditional midwife. One of these photographs, showing the moment the umbilical cord is severed, is exhibited at majestic scale at Tabiyat in Mumbai, both to resonate with the sequence shown in Kolkata and as a work in its own right, highlighting the role of the dai in Indian civilization. In addition to Gauri Gill, other leading contemporary Indian artists with works in the show include Nilima Sheikh, Sheba Chhachhi, Mithu Sen and Paula Sengupta. The exhibition is curated by Latika Gupta.

In Delhi, the British Council will host a workshop and live performance by BLOT! (a Delhi based mixed media and music performance duo). BLOT! were commissioned by Wellcome Collection to create a video to launch Medicine Corner earlier this year in Chennai. Their research has led to a larger project, Trick or Treat? which uses media arts to examine India’s vast parallel health system of informal practices such as street dentistry. In wry, playful but insightful ways, BLOT! raises momentous issues of access, affordability and equity.

Across these cities and across different cultural forms, Medicine Corner addresses collisions such as those between ancient and modern, formal and informal, Indian and imported. The programme complements the way in which Wellcome Collection uses art and exhibitions in order to draw connections between understanding oneself, one’s civilisation and humanity.

Ratan Vaswani, Project Head Medicine Corner, Co-curator Tabiyat, commented:

“Wellcome Collection has a magnificent library full not just of manuscripts but also amazing historical paintings and other wonders. Because Wellcome Collection has global interests, it made sense to look at the society and civilisation that has the most varied, complex and plural medical culture - India.  We want to have a conversation with India, particularly with its creative community and we want to investigate how ordinary Indians stay well, often in challenging circumstances. But we’re not trying to influence public health outcomes. We want to make a cultural impact and explore the extraordinary in everyday life across a variety of cultural forms.”

Sabyasachi Mukherjee, Director General of CSMVS, commented:

“Tabiyat is a fine exploration of the connected worlds of science and culture. Both the subject and the approach taken in presenting it are new at CSMVS and will, I believe, prove exciting for our growing audience.”

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